Baby Scream THE ARTIST and THE ALBUM

They say in music time does not stand still music always moves on and after not that too long ago I was reviewing Juan Pablo Mazzola’s previous releases under Baby Scream a new 10 track album is soon to be released under a newly signed label OK Records.
Already taking pre-orders and includes a limited edition CD receiving my promotional copy and playing it I hear just that in this collection of tracks … growth.

Just pressing play and into the first track I hear that movement of music I was talking about in Juan’s music as unlike past releases this kicks off like some power rock album so different to his past acoustic starts.
‘Powerpop Crush’ really lives up to its title and warms you up for the ride your about to receive playing the album simply named ‘Baby Scream’. The track is raw, crunchy & powerful with those amazing vocals that so often get compared to Lennon or even Harrison from The Beatles.

The album cover gives you a simplistic image but ‘don’t be fool by the cover’ as often been said as nothing on this album is simplistic.

In my work in music I have an artist I work with named a chameleon mainly because he can play any music & adapts/changes to fit that genre like he belongs.
However Baby Scream is more like an artist working with the finest detailed water colours you can be listening to a track from this album and like two colours meeting on a water colour masterpiece the sounds merge and become something different.
This can very much be heard throughout the album take ‘Exile’ it starts sounding very much in The Beatle style musically then your over powered by this magic sound like two colours merging in it appears /sounds of Electric Light Orchestra in there hey days with spot on perfect harmonies but the vocals are so Baby Scream with that pure vocals of Juan from previous albums making the sound all his.

The track of the album for me appears early on which is track three and is in fact the first I heard from this album via Oli K of OK! Records the track is entitled ‘Jekyll & Hyde’. Not just because I love the story by Robert Louis Stevenson and the many movies of the same name. I found listening to this track the music does in fact have this Jekyll & Hyde appearance in it’s mid change like the music as well as Juan become all characters within the song playing it out from start to fade truly an amazing track.

‘Mental Case’ Juan’s voice has that more rough crazy Jack Nicholson edge to it but more times you play it you get to notice his in fact playing/singing in character again. The music itself has this guitar almost stomp/march feel to it that really goes with the theme of the lyrics and lunacy with a really wonderful guitar solo.

‘The Ghost Of Valerie’ featuring the amazing Eric Dover (Alice Cooper) the guitar work on this is amazing, haunting even which is fitting considering the title. Juan’s vocals are just like the pure Juan’s voice I got hooked on way back in the 2008 ‘Ups & Down’ release. Like all the tracks self penned by Juan these lyrics are amazing, A dark topic which most are on this album it really gives you things to think about.

‘Watching The End Of The World (On TV)’ another dark topic and like what I talked on at the start this music changes and changes again throughout with music merging together so has so many directions that really works well and rocks. The lyrics remind me of a child kids hiding from the scary TV shows of the 70s. Also thou reminds me of the crazy and dangerous world we live in.

‘Nipone’ has a wonderful oriental feel, sound and is a lovely ballad with beautiful acoustic guitar work. It features also some amazing wind instruments that add to the theme. The vocals are again more the pure Juan blending into a Lennon ‘Beautiful Boy’ which is always wonderful to hear.

‘Lazy’ reminds me of some old 70s hotel bar in music in it’s opening till that is WHAM!!! In comes this amazing drum & guitar THUMP!! And the song really kicks off. I just love the lyrics sums up so many people I know ‘You say that I’m lazy, you say that I’m crazy’ yes that’s all my friends summed up in one line myself included if I’m honest. This has to be my 2nd favorite of the album

‘What About You’ starts with some amazing rock rift sounding like some classic rock album, it really got my attention, maybe because I had it on LOUD but hey! It is amazing.
Then in comes Juan on vocals again having a rawer, rough edge to it showing how much added extra he can always add and surprise you in each song. As Juan has a hidden power in his vocals in the past his very much locked away till now.

The album comes to an end with the beautiful track oddly named ‘Twenty Seven’ which returns Juan to his early days of amazing acoustic work pure guitar sound pure vocals it just doesn’t get any better in sound than this which is an apt way to end an album.

As for the entire album BABY SCREAM it is a wonder to own an amazing colourful collection of songs that go through darkness to light in themes and sounds.
Making the mix from the album I really got to love the album even more as all the tracks all stand on their own as amazing pieces of work.

As for BABY SCREAM the artist Juan Pablo Mazzola shows again how you can never put him in one box as his music like the tide moves and changes direction always surprising you when you feel you know him well he gives you something new. Juan seems to know how to pick a theme to a song not only write/compose about it but become it so it is like owning a collection of mini plays and all acted/performed with true honesty.


www.babyscream.com

www.youtube.com/babyscream

www.myspace.com/babyscream

GIG REVIEW – Aladdinsane Worthing Pavilion 3rd September

Now before I start on gig review I must point out this is based on ‘Aladdinsane’ one set supporting T.Rextasy. I have to be fair because after show Paul Henderson explained to me on a full set the second set he takes on a later form of David Bowie’s career.
Where is the best place to start in a review? Well it’s the beginning of course and everyone at the theatre in Worthing had never seen ‘Aladdinsane’ before so there was a mix of Bolan/Bowie fans not knowing what to expect. In the bar before it started even thou ‘Aladdinsane’ are the leading tribute band to David Bowie people talked of only reading about him remembering him from ‘Stars In Their Eyes’ or only viewing a few videos on some website but was unsure what he’ll (they as a band) be like. Well I’m telling you all their concerns were wiped out within opening seconds of the show.
Everyone settled lights out, curtains open and this misty blue figure of Paul Henderson with back to everyone in full Ziggy Stardust mode before he sang a note there was this big roar from everyone and WHAM!!! In came this amazing sound now I have been to many shows at that theatre so I know of it’s often tinny feedback from it’s sound system but ‘Aladdinsane sounded so amazingly clear, crisp, highly tuned could say almost studio in sound as they work so hard together and are so tight as a band the sound they have is as far as perfection can go, they really rocked. When I told Paul of this he thanked me said it’s due to a lot of hard work but also said much credit must also go to a fantastic sound guy simply known as ‘John’.
Over the years I seen a lot of acts and many don’t even try to sound like their original tracks and you come away disappointed but ‘Aladdinsane’ go that bit further to get it spot on to the Bowie hits we all love and know so well even to the stage of Carl Stones using his guitar up against Marshall amp to perfect a feedback effect for end of ‘John I’m Only Dancing’ which was awesome.
Paul took the stage and looked liked he owned it for years and these Bowie struts and certain sudden looks just mesmerized you. His voice was amazing too so powerful you could hear clearly those Bowie tone’s coming from within. One woman after show said “you know before I came in being a big Bowie fan I did not expect much, I’m telling you this, I didn’t expect that this soooo cool”.
If I had to name just one track that stood out even thou I loved every second of all of them it have to be ‘Life On Mars’ not only for the way it sounded and was performed but effects too and loved Paul’s ending pose with the Alien eyes so cool.
When I watch a band I take everything in and I saw how Paul had full command of the band one glance, one turn or look and everyone knew what he wanted. Many cover bands the singers just sing and that is that but Paul doesn’t as his acoustic guitar playing is outstanding. I remember him say “this is where it all started” and he started to play ‘Space Oddity’ and this dry ice appears lights changed and it sort of stunned everyone you could hear a pin drop.
Aladdinsane is not just Paul thou it is a very highly skilled band that all play together like a finally tuned machine. You have Dan Elliman on keyboards and backing vocals and what I heard from feedback next day from someone was near end of ‘Changes’ you hear this amazing sax just exactly replicated like original from Bowie all done on keyboards this guy was just completely thrown by this. I had to agree as it did sound amazing even thou I add he was amazing on all the tracks adding those sounds we know Bowie put within his masterpieces. Franco Caprio on bass and backing vocals just looked so happy and enjoying himself not anything against other bass players but you can tell he was loving what he was doing. His bass playing much like Dan’s keyboards was faultless. Now as for Mark Hatton on drums he really lets rip and the theatre is normally known for letting the drummer down due to it’s shape (ceiling) and sound system but that night Mark’s drumming was on fire ‘John I’m Only Dancing’ I noticed people near me following Mark’s every beat. As for Carl Stones who plays lead guitar and backing vocals one word three letters ‘WOW’ you can’t really say much more. Yes I have to admit I love Les Paul guitars so call me bias if you like my thoughts however were confirmed by others one saying to me “it was like a master class in guitar playing”.
We did get an encore where Paul returned after a very quick costume change to perform ‘Heroes’ to the crowds delights.
After set (before T.Rextasy performed) people were talking of ‘All The Young Dudes’ and how everyone in the theatre became part of the song. One guy said to me on way to bar “that made my hairs stand on end” I thought “strange comment to make to a stranger” but saying that the guitar intro does do that too you. A guy who sat two seats from me looking like a London banker all sitting their very serious till this track started and he went crazy and didn’t sit down rest of evening.
I could sit here typing track after track of what they covered that night but all I have to say is they played the cream of Bowie’s early years and if any of you reading this doubt going DON’T as I know you won’t be coming away disappointed in fact you’ll be coming away like me only wanting more.
Check out Aladdinsane at –
http://www.myspace.com/aladdinsanebowie

http://www.aladdinsane.co.uk

http://www.youtube.com/user/aladdinsane99

and also find Paul Henderson on Facebook

Promised World by Joël Bolan review & mini bio by Ace MegaRex

I first got to know Joël Bolan through a buy on ebay funny enough at the time thou he was going under the name of Joel Ramone and had released a wonderful full orchestral version of Marc’ Bolan’s ‘Children of Rarn Suite’ including Marc’s original vocals from 1970.
This was an outstanding peace of work that I found that I often play over the years to come. I then started to look out for that name and later found Joël himself singing Marc Bolan’s classic ‘Left Hand Luke’ that same day while on myspace I came across a Joël Bolan http://www.myspace.com/bolanjoel and was surprised to find him to be the very same guy & we’ve been friends ever since.

Before I give the review of his new track ‘Promised World which is based on Marc Bolan and Joël’s late father Jean-Paul I am going to tell you a brief bio of Joël Bolan so you get to know him and understand the reason for this release and it’s lyrics.

Over the years many people thought Joël changed his name to Bolan due to the T.Rex link but the truth is, which is very interesting that Bolan is his family name and the Bolan’s came to France in 1700s and a distance relation around 1856 was called Marc Bolan. Strange to think many years later Joël would get to show a love for the rock star’s music with the same family members name maybe due to that family connection (*in name only).

Born in the 60s with a family background full of artistic affections with father and uncle and even his grandparents all musicians, Joël in his early years already started showing his abilities in painting, drawing and poetry.
It was not till he was 13 that he would buy his very first album ‘The Best of T.Rex’.
Hearing this had a massive effect on the rest of his life as music started to be and has been since his main interest in life.

Joël however was not content on just listening to T.Rex he wanted to learn to play their music. He brought his first acoustic guitar & soon learnt how to play all his favorites. Once he had done this he was still not content so started to compose his own.
Thing was in the 80s Joël was not happy with what sounds were going around so he started to study classic rock guitarists which was not only Marc Bolan but Jimi Hendrix, Eric Clapton and Jimmy Page and the more he studied the more the need to play electric grew within.

After a while much of his music included more electric sound but on the whole his main ballads stayed around the acoustic sound.
It was after the birth of his son Hendrik in 1992 that Joël’s love for music added another string to it’s bow when he started to study more on production, composition & arrangements by diving into the works of such greats as Wolfgang Amadeus Mozart - numerous classic compositions were the result of this.
Joël’s work “Wiener Quartett" received a mention at a composer-competition in Vienna. At this time he composed several classic compositions like for example “Mass for organ and soprano” He also composed classical music with elements of the rock music for film and theatres.
This was the build up to where I first came to know of Joël’s music with his 1996 orchestral demo of Marc Bolan’s rock opera ‘Children of Rarn Suite’.

We jump to 2007 where Joël Bolan started again to work more in the rock- and pop-music scene for the duet Fervencies, he composed and arranged all their songs. The music much like the Swedish pop of the 70s. This work with Fervencies didn't satisfy him. His ambition strove for more. And at least it was his son Hendrik, who brought him back to the rock-music. You can hear Hendrik on 'Promised World' as he plays the bass guitar as yet again the love for music runs in the Bolan family line.

In 2009-2010 Joël Bolan while talking to me on MSN talked of maybe leaving his French roots behind and singing more of his own songs in English. Over 2010 this became a passion to the state where he was re-recording his older songs into English form. Like many of his friends in UK I was lucky to hear this happen in the form of MP3 samples being sent to hear his growth, his change in direction.

Then new excitement came in conversation of a new song he was aiming to finish and release by 16th Sept 2010 simply called ‘Promised World’.
Right from the start Joël let his close friends follow this project as bit by bit we all heard this song in sample format (MP3) grow to it’s finished glory.
Even at the early stages we all knew this was something special. I could hear Joël’s voice change, grow as he had now been singing more English and getting a master and delivering that emotion within the lyrics.
In one part of the song he sings

‘a silver tear evoking memories
erroneous of many years
and really not to judge’

and his emotion in his vocals just gives you goosebumps.

What was strange even thou I have followed other artists songs from early demo forms many times before this song I had heard grow so much in a short time it became to me like a masterpiece, a painting where the artist was adding many layers of colours before sitting back, putting the brush down and saying “my work is done”.
I now listen to the finished work and it’s various layers of guitars build and flow together like good friends.
His electric guitar work in some parts so reminded me of Gary Moore’s classic sound even thou Joël didn’t see this but I have to say what I hear.
The 30 piece orchestra was the last thing I heard added and to hear these strings sound as if they are crying it is so beautiful. I was blown away when again on MSN Joël explained how he composes his music such as this amazing string section. He said “I sit behind my desk in my study paper & pen in front of me and I work it out, hear it in my head and just write it down” It just staggered me to think he composes this way with no use of any instruments.
The lyrics are not meant to be funny, happy joyful as it is the sad story of not only missing his father Jean-Paul but the idol that got him to where he was Marc Bolan.
The opening lines go ‘ dusk of a night in September, the frozen womb of an obscurity, in your heart wounded by the cold’ this just takes me back to ’77 and hearing that news that morning on the radio and sort of gives me a shiver.
Also within you hear maybe a sound of hope with ‘the archangel summoned your soul, open the door of a universe’ all very heavy stuff with the added question ‘why are you gone so quickly?’

‘Promised World’ is a song by a singer/songwriter/composer but more important a fan and a son to two people that were very special in his life this song is very much personal to Joël Bolan.
Saying that thou when hearing it you can find some part of it feeling personal to you too.

Promised World
(Joel Bolan)

Dusk of a night in September
The frozen womb of an obscurity
In your heart wounded by the cold
Took you towards its darkness
The archangel summoned your soul
Open the door of a universe
Named by the mortals, paradise
Promised World, paradise
Losing on the earth
A silver tear evoking memories
Erroneous of many years
And really not to judge
Why are you gone so quickly?
Will I see you in a new day?
In a cloth of light dazzling the promised world
Singing the song
The song of life

Now on sale at http://www.joel-bolan.com/single/singlecd.html

STRANGE ORCHESTRA 'Triptych (A Crown of Untold Riches) - maxi single review

Now to me there is nothing strange about ‘Strange Orchestra’ a duo consisting of Marc Hartley (Delf) on lead vocals & Gordon Abbott on guitars.
I first came across these two around a year ago and noticed they fitted into the Marc Bolan circuit as well as strawberries goes with cream. Being two big Marc Bolan fans their love and respect for him shows in all their work.

Their live sets are very popular at the Bolan Bop’s including so far 2 year’s running at The Wigan Bop (*including June 2010) and 2009 a live set at a pre-bop night in London and in Feb 2010 they joined ‘All Schools Are Strange’ at a very successful Bolantine Bop.

Strange Orchestra play a acoustic based set covering the complete catalogue of Tyrannosaurus Rex which you can experience if not done so already at this years London Bop in Sept where they appear on the same bill with ‘The Peppermint Apes’ who’ll be performing a full electric T.Rex set.

I got so use to hearing from fans that “you close your eyes it is like hearing Marc Bolan” as Delf’s vocals are so like ‘the main man’s’ it is spooky.
This makes this maxi single even more special as they are all original songs by Strange Orchestra still sounding like Tyrannosaurus Rex just so warming to any Marc Bolan fan’s soul.

Now

April 2010 they released this maxi single which has three tracks on it ‘Angel Breath’ written and composed by Gordon, ‘Queen of Beads’ written and composed by Marc (Delf) and ‘Ostara’ a joint effort.
Before I get into the tracks themselves I must say the artwork / presentation of the package is really wonderful the outer sleeve in true style of Tyrannosaurus Rex it is as if I jumped back to the late 60s as the font work matches Marc Bolan’s original style for Tyrannosaurus Rex. When I opened the sleeve notes I found a collection of very charming small lyric sheets in a very tasteful design which really finishing the package off nicely.
It sort of says before you even play the CD that a lot of care, thought and love has gone into this collection of songs.

The CD itself all proceeds from it will be donated to The Marc Bolan memorial fund which is run by OMBFC.

On to the tracks and the CD starts off with the wonderful number entitled ‘Angel Breath’
I loved playing this on my big sound system as for a duo this is bigger than you could imagine.
The sound is amazing with much added percussion all performed by Strange Orchestra with backing vocals reminding me more of Steve Peregrin Took’s Tyrannosaurus Rex years. The lyrics are touching on the mythical feel ‘ageless like earth the innocence of birth’ you listen and much like Marc Bolan’s classic’s you start to imagine/wonder who is this Angel? Is she someone we know and love, someone we loved and sadly lost or someone much older than earth from somewhere higher? ‘The world doesn’t cry and love will not die, the smell of perfume fills the room with her Angel’s Breath’
What with Delf’s vocals as ever so close to Marc Bolan’s not simply impersonating but singing with all the emotions Marc often did this track is truly a wonderful moving peace

After hearing that breath taking track and no it is not meant as a pun as it truly is the second track ‘Queen of Beads’ has that melody you feel you want to clap along to.
I could even say this could easy be a sing-a-long as the chorus ‘O my little lady, my velvet laden baby’ really pulls you to join in. So I can imagine this performed live getting everyone involved as a feel good crowd pleaser.
Saying that this has a romantic feel to the lyrics ‘you are my Queen of Beads and everything that this boy needs, and with a simple touch, you light my life so much’ to some may say almost touching on raunchy but hey! that just might be my imagination. (he grins). Vocal wise Delf’s voice sounds between late Tyrannosaurus Rex and latter T.Rex but this is not a bad thing as it helps with that amazing catchy beat this number has and if I had to find one fault in the CD it is this is too short as just feel it has more to give.

Well sadly the CD ends too soon and I find myself listening to ‘Ostara’ a more simpler music arrangement than the other tracks with lyrics that would make Mr. Bolan proud.
Lines like ‘as the moths deftly knit their fluffy silken gowns’. The song is basically about the coming of a new day as winter is passing but written in pure poetry. This track has everything that is good about Strange Orchestra in one song and makes you want to shout “we want more”.

Gordon & Delf put a lot of hard work into everything they do and I look forward to hearing more from this amazing duo.



*Note
The EP TRIPTYCH (A Crown of Untold Riches) is available for £4 inc postage in UK and £4.50 inc postage for overseas.
Order via email gjta1977@yahoo.co.uk you can write to Gordon at this address for any extra info plus a PayPal account in linked to this e-mail address.
This EP will only be available till 16th Sept so snap it up now if you have not done so already.

Strange Orchestra can be found on Facebook - http://www.facebook.com/home.php#!/pages/STRANGE-ORCHESTRA/155697408047?ref=ts

Phoenix Williams ‘Wait & See…’ Review

When I first came to myspace.com over 2 years ago one of the first ever artists I added was Phoenix Williams. Since then I have loved her music and supported her ever since.
Among others on the music site her music stood out as something special to me.

‘Wait & See…’ a 10 track album written and composed by Phoenix and originally a demo album was released 2008 and has been busy steadily selling ever since. I personally feel it has lasted so well cause Phoenix made the album very personal with the lyrics within her compositions. In her own words she says “they are reflections of who I am”

SO

You may ask why leave it till now to review it?
Well it is coming close to the time when you just won’t be able to buy it anymore.
So before the chance has past I wanted to review it for those who may still not of snapped up this fantastic album.
Available as downloads or CD format from Deuce Promotions it is an album where every single track is amazing.
In today’s music market it is very difficult to pick up an album and honestly say hand on heart that you love every track. It is not just me as my friends heard this also while visiting, went home ordered it and they play it regularly after over year still loving it’s sound. Not many albums you can say that about either.

The tracks –

The album kicks off with ‘On My Stereo’ which is ideal track to start off with. Fast paced beat, great effects of a slight distortion deliberate on vocals that all sounds wonderful on sound system and subtle acoustic guitar. The lyrics features the line ‘there’s a song on the radio has a sweet melody you can hum’ but is basically about music and sex as who hasn’t done so or wanted to with their partner to the perfect song setting the mood?
What is cool about this I have heard also this stripped down to basic acoustic version too and it still sounds just as amazing as full band album version.

The second track ‘Get To Me’ features some wonderful electric guitar work by Phoenix and is a song about relationships or more the confidence of starting one. Being shy myself I understood this track about seeing someone across the room having that feeling inside but building up the courage to go over and saying how you feel.

‘Feel For You’ the music/beat so amazing it really rocks. I went to visit my friend who also has album & heard it on surround sound LOUD and WOW! Another song about relationships or as Phoenix puts it “playing cat and mouse” this is one track I noticed on Whotune.com staying most of 2010 in their Top 50 and deservingly so too.

The 4th track ‘Permanently In My Heart’ is closer to the sound many know Phoenix for live in concert with her acoustic performances. This is a slower tempo then the rest of the album so far and such a truly beautiful love ballad. A song with Phoenix vocals sounding so beautiful and enchanting with topic that effects everyone’s heart as in relationships sometimes you just got to put it on the line.

‘Times Up’ is another relationship based track as the title states your times up I’ve had enough. In life we all hang on sometimes till we just can’t take anymore and feel we got to move on. Well this track goes through all those emotions the music goes so well as it helps the expressions being sung and almost plays a character as guitars scream in almost an angry tone.

Now gone halfway through album track 6 ‘Welcome to Run’ is another wonderful number with music blending of acoustic guitar, piano & bongos and Phoenix vocals as always sounding so amazing. The backing vocals are so haunting added with piano & bongos they almost make the track sound Gaelic. A song is reaching a topic so many of us feel these days sadly where we get to that point in a relationship where we go “hell I rather go it alone then put up with this”.

‘Everyone’s been hear before’ is the opening line to the next track ‘Lover Let Go’ and once you start listening you have to agree. Another beautiful acoustic based track with added violin which appears to melt together.
All of Phoenix tracks on this album ‘Wait & See…’ are based around relationships and life and like this track you really take note of the story told and relate to much within the songs.

Have you ever said that classic line ‘you don’t know what you had till it’s gone’. I bet you have I know I have well ‘The Moment I Let You Go’ is basically about this topic. Hurting so much I rather erase the memories a very powerful emotion to sing about.
I find this song very strong and raw due to the subject matter and feeling Phoenix gives delivering them making it sound all too real.

‘Back To Mine’ another amazing acoustic number where Phoenix sounds so comfortable as her amazing vocals tell her story of wanting to take someone home and do things like tomorrow never comes. What is strange the lyrics are touching on real raunchy, sexy but to this acoustic melody you almost miss how hot the lyrics are. Thing is my friend said “the title was big enough clue for me” I had to laugh.

How sad it is that we come too soon to the very last song of this classic album. An album that is a full on ride through all life, relationships, emotions and mind games.
‘Everything Good’ has to be the cream of the album such a masterpiece of everything that is right in a song. Phoenix voice is as perfect as it ever could be with her emotions coming so clear within her singing. The musical arrangement takes your breath away and it rounds the album off to the ultimate climax.

Phoenix Williams singer and songwriter please if not done so check this album out while you still can you will not be disappointed


Phoenix Williams and ‘Wait & See…’ at http://www.myspace.com/phoenixwilliams

Check out Phoenix Williams on her official site which includes new merchandise
http://www.phoenixwilliams.co.uk/


Cover photography by Ben Hawley
Recorded & engineered by Robert White at The Milkhouse
Mixed by Robert White & Phoenix Williams

Phoenix Williams
Vocals, acoustic guitar, electric guitar, piano, tambourine & shakers.

GOT IT COVERED 'DeafboyOne FREE ALBUM download

Here as promised is album three first compiled in 2009
'Got It Covered' includeds just a small section of the massive range of covers DeafboyOne has released.
Ranging from Chuck Berry to sex Pistols it really covers a massive range of music styles.

Full track list
01. Roll Over Beethoven
02. Anarchy In The UK
03. Pinball Wizard
04. Get It On
05. The Jean Genie
06. Blitzkreig Bop
07. Hot Love
08. My Way
09. Never Tear Us Apart
10. Space Oddity
11. Mystic Lady
12. Horse With No Name
13. Children Of The Revolution
14. Rebel Rebel
15. Spaceball Richochet
16. Sympathy For The Devil
17. Holiday In The Sun
18. Silver Machine
19. Pissed Again (Let's Twist Again)

LINK TO FREE DOWNLOAD

http://rapidshare.com/files/408174044/Got_It_Covered_ALBUM.zip

Here is 'Space Oddity' from the album



Message from Pete Waller
If you enjoyed just some of DeafboyOne's covers then help us 'Break The Sound Barrier' by donating large or small to :-
c/o Tony Heyes Music Co-Ordinator, Educational Day Services, RNID (Royal National Institute for the Deaf), Poolemead, Watery Lane, BATH BANES BA2 1RN ENGLAND - Thankyou

NOTE
Rapidshare has been playing up on downloads so if your unlucky let us know & we will make sure you still get your copy by adding new link. - Ace & Emi

DeafboyOne 'Swim With Dolphins' FREE album download

As promised here is the second album of Pete Waller AKA DeafboyOne

'Swim With Dolphins' (2009)

More of a mix than his debut album this 17 track album contains a few cover versions too.
The out standing tracks written/composed by DB1 are 'Reset The World', Time Is Running Out', Lying To God and a favourite by many 'Skeltal Family' but the title track 'Swim With Dolphins' is totally amazing.
His covers of 'My Way' and 'Silver Machine' are top class and Pete adds a touch of DB1 to the finished sound.

The album features two bonus tracks one being a well received demo 'Tribal Matrix' and the other a really old folk song handed down from generation to generation and still very much loved 'Were Off In A Motor Car'

This time round the album is compiled by myself Ace MegaRex for AMP.


Tracks include -

01. Children Of The Revolution
02. Colours
03. Drink A Toast
04. Horse With No Name
05. Looking Back At Me Again
06. Lying To God
07. My Way
08. Pinball Wizard
09. Reset The World
10. Silver Machine
11. Skeltal Family
12. Space Oddity
13. Spaceball Richochet
14. Swim With Dolphins
15. Time Is Running Out

BONUS TRACKS
Tribal Matrix (demo)
Were Off In A Motor Car

To download FREE grab the full package with artwork here -
http://rapidshare.com/files/406579653/Swim_With_Dolphins_ALBUM.rar

If you enjoyed just some of DeafboyOne Music then help us "Break the Sound Barrier" any donation large or small to:- c/o Tony Heyes Music Co-Ordinator, Educational Day Services, RNID (Royal National Institute for the Deaf), Poolemead, Watery Lane, Twerton BATH BANES BA2 1RN ENGLAND